Un Homme Et Une Femme Download Movie
| A Human and a Woman | |
|---|---|
 French motion picture poster | |
| Directed by | Claude Lelouch |
| Written by | Pierre Uytterhoeven Uncredited: Claude Lelouch |
| Produced by | Claude Lelouch |
| Starring | Anouk Aimée Jean-Louis Trintignant |
| Cinematography | Claude Lelouch |
| Edited by | Claude Barrois Uncredited: Claude Lelouch |
| Music past | Francis Lai |
| Production | Les Films 13 |
| Distributed by | Allied Artists |
| Release date |
|
| Running fourth dimension | 102 minutes |
| Country | French republic |
| Language | French |
| Box office | $xiv million (domestic) [1] |
A Homo and a Woman (French: Un homme et une femme) is a 1966 French picture written and directed by Claude Lelouch and starring Anouk Aimée and Jean-Louis Trintignant. Written by Lelouch and Pierre Uytterhoeven, the moving picture is near a young widow and widower who meet past chance at their children's boarding school and whose budding relationship is complicated by the memories of their deceased spouses.[2] The moving picture is notable for its lush photography, which features frequent segues among total colour, blackness-and-white, and sepia-toned shots, and for its memorable musical score by Francis Lai.
A Human and a Woman sold a total of 4,272,000 cinema tickets in France and was also the sixth highest-grossing film of the year.[3] In the United States, the movie earned $14,000,000.[ane] The movie won several awards, including the Palme d'Or at the 1966 Cannes Picture Festival,[4] two Golden Earth Awards for Best Foreign Linguistic communication Film and Best Extra - Drama (for Aimée), and two Academy Awards for Best Foreign Language Film and Best Original Screenplay.[5] [6] A sequel, A Man and a Adult female: 20 Years Later (Un Homme et une Femme, 20 Ans Déjà) was released in 1986, followed past The All-time Years of a Life, which was released in 2019.[7]
Plot [edit]
A young widow, Anne Gauthier (Anouk Aimée), is raising her daughter Françoise (Souad Amidou) lonely following the decease of her married man (Pierre Barouh) who worked as a stuntman and who died in a movie set up accident that she witnessed. Even so working as a picture show script supervisor, Anne divides her time betwixt her dwelling house in Paris and Deauville in northern France where her daughter attends boarding schoolhouse. A young widower, Jean-Louis (Jean-Louis Trintignant), is raising his son Antoine (Antoine Sire) alone following the death of his wife Valerie (Valerie Lagrange) who committed suicide after Jean-Louis was in a near fatal crash during the 24 Hours of Le Mans. Still working as a race auto driver, Jean-Louis divides his time betwixt Paris and Deauville where his son likewise attends boarding school.
One twenty-four hours Anne and Jean-Louis meet at the Deauville boarding school after Anne misses the last train dorsum to Paris. Jean-Louis offers her a lift and the ii become acquainted during the bulldoze home, enjoying each other's visitor. When he drops her off, he asks if she would like to bulldoze upward together the post-obit weekend, and she gives him her phone number. After a decorated calendar week at the track preparing for the side by side race, Jean-Louis calls and they see early on Lord's day morn and drive to Deauville in the pelting. Clearly attracted to each other, they enjoy a pleasant Sunday lunch with their children who get along well. Later that afternoon they go for a boat ride followed by a walk on the embankment at sunset.
Jean-Louis spends the following week preparing for and driving in the Monte Carlo Rally in southeast French republic. Every mean solar day, Anne closely follows news reports of the race, which takes place in poor atmospheric condition conditions forth the icy roads of the French Riviera. Of the 273 cars that started the race, only 42 were able to finish, including Jean Louis's white Ford Mustang, number 145. Watching the boob tube coverage of the conclusion of the race, Anne sends Jean-Louis a telegram that reads, "Bravo! I beloved you lot. Anne."
That night at a dinner for the drivers at the Monte Carlo Casino, Jean-Louis receives the telegram and leaves immediately. He jumps into the other Mustang (number 184) used during the race and drives through the dark to Paris, telling himself that when a adult female sends a telegram similar that, you go to her no matter what. Along the manner he imagines what their reunion will be like. At her Paris apartment, Jean-Louis learns that Anne is in Deauville, so he continues due north. Jean-Louis finally arrives in Deauville and finds Anne and the two children playing on the beach. When they come across each other, they run into each other's artillery and embrace.
After dropping their children off at the boarding school, Jean-Louis and Anne drive into town where they hire a room and begin to make dear with passionate tenderness. While they are in each other's artillery, still, Jean-Louis senses that something is not right. Anne's memories of her deceased hubby are still with her and she feels uncomfortable standing. Anne says it would be best for her to accept the train back to Paris alone. After dropping her off at the station, Jean-Louis drives home alone, unable to understand her feelings. On the train Anne tin can only call back of Jean-Louis and their time together. Meanwhile, Jean-Louis drives southward through the French countryside to the Paris train station, just as her train is arriving. As she leaves the train, she spots Jean-Louis and is surprised, hesitates briefly, and and so walks toward him and they comprehend.
Cast [edit]
- Anouk Aimée as Anne Gauthier
- Jean-Louis Trintignant as Jean-Louis Duroc
- Pierre Barouh equally Pierre Gauthier
- Valérie Lagrange as Valerie Duroc
- Antoine Sire equally Antoine Duroc
- Souad Amidou equally Françoise Gauthier
- Henri Chemin as Jean Louis' co-driver
- Yane Barry every bit Jean Louis' mistress
- Paul Le Person as Petrol pump attendant
- Simone Paris as Caput Mistress
- Gerard Sire as Radio commentator
- Gérard Larrousse as Rally driver
- Jean Collomb as the waiter
- Clive Roberts as Rally driver[8]
Production [edit]
Story and script [edit]
Co-ordinate to manager Claude Lelouch, the story originated from an experience following his disappointment trying to go a distribution deal for his film Les Grands Moments. As was his habit during troubling times, he went for a long bulldoze and ended up on the shore at Deauville at ii:00 am. Subsequently a few hours sleep in the motorcar, he was awakened past the sunrise and saw a woman walking on the beach with her girl and a dog. This sparked his creativity which led to the story and script which he co-wrote with Pierre Uytterhoeven within a month.[nine]
Casting [edit]
A key casting decision for Lelouch was Jean-Louis Trintignant.
I think Jean-Louis is the actor who taught me how to direct actors. We actually brought each other a lot. He changed his method of acting while working with me, and I began to truly empathise what directing actors was all about, working with him. I think the relationship between a director and actor is the same relationship as in a dearest story between two people. One cannot direct an actor if you do not love him or her. And he cannot be adept if he or she does not honey you in plow.[10]
For the female person atomic number 82, Trintignant asked Lelouch who his ideal woman would exist, and Lelouch indicated Anouk Aimée, who had appeared in Fellini'south La Dolce Vita (1960) and 8½ (1962). Trintignant happened to exist a shut friend of hers and told him to phone call her. When he did, she accepted without reading the script. Although early on disagreements and the low-upkeep skeleton coiffure caused initial tension between the director and actress, they rapidly resolved their differences and the two went on to become close friends.[9]
Filming [edit]
In one case the script was drafted, the film was made relatively quickly, with 1 month of preproduction piece of work, three weeks of principal photography, and three weeks editing.[9] Due to budget constraints, he used an older handheld camera that was not soundproof, then blankets were frequently employed to dampen the camera dissonance.[9]
Lelouch is considered a pioneer in mixing different moving picture stocks: blackness-and-white with color, and 35mm with 16mm and super eight. For years film critics debated the symbolism of the mixed film stocks, merely Lelouch acknowledged that the primary reason was that he was running out of money, and black and white stock was cheaper.[ten] His original plan involved shooting strictly in black and white, but when an American benefactor offered him $twoscore,000 to film in color, he filmed the outdoor sequences in color, and the indoor scenes in black and white.[9]
The music soundtrack was recorded prior to filming, and Lelouch would play the music on the fix to inspire the actors.[9] Lelouch encouraged his actors to improvise some of the dialogue, and several key scenes were improvised. The climactic scene at a train station was not scripted at the fourth dimension of shooting, and Aimée did not know that director Lelouch had decided on the two main characters reuniting at the end. The look of surprise on Aimée's face is 18-carat.[11]
The film was shot, among others, in Paris, Monte Carlo and Deauville. The love scene was shot in the Hotel Barrière Le Normandy Deauville which, in retention of the moving picture, has a suite entitled "A Homo and a Adult female". (Info by the Dizionario del Turismo Cinematografico)
Reception [edit]
Box office [edit]
The pic earned theatrical rentals of $4.half dozen million in the U.s.a. and Canada and $4 one thousand thousand internationally during its initial theatrical release.[12] [13] It played for 83 weeks in Boston, 73 weeks in Syracuse and 61 weeks in Seattle.[13] An English language version of the film was shown in the Usa and Canada from July 1, 1968 and the film eventually earned rentals of $vi.3 million in the Us and Canada.[xiii] [14]
It was the sixth most popular film at the French box office in 1966, later on La Grande Vadrouille, Dr Zhivago, Is Paris Called-for?, A Fistful of Dollars and Lost Control.[15]
Critical response [edit]
Upon its theatrical release in the Usa, A Man and a Woman received by and large positive reviews. In his review in The New York Times, Bosley Crowther wrote, "For a first-rate demonstration of the artfulness of a cameraman and the skill at putting together handsome pictures and a strongly sentimental musical score, in that location is nothing around any better than Claude Lelouch's A Human and a Woman."[16] Crowther lauded the "beautiful and sometimes breath-taking exposition of visual imagery intended to excite the emotions" and praised the director for his ability to create something unique from the commonplace:
Mr. Lelouch, who was his own script writer likewise every bit manager and cameraman, has a rare skill at photographing clichés so that they sparkle and glow with poetry and at generating a sense of inspiration in behavior that is wholly trivial.[16]
The review in Diversity noted the performances of the atomic number 82 actors: "Anouk Aimee has a mature beauty and an ability to project an inner quality that helps stave off the obvious banality of her grapheme, and this goes likewise for the perceptive Jean-Louis Trintignant as the homo."[17]
On Rotten Tomatoes, the film has an approval rating of 75% based on reviews from 14 critics.[xviii]
The motion-picture show was selected for screening as part of the Cannes Classics section at the 2016 Cannes Movie Festival.[19]
Awards and nominations [edit]
Soundtrack [edit]
| A Human being and a Woman | |
|---|---|
| Soundtrack anthology by Francis Lai | |
| Released | 1966 |
| Genre | Pop, Jazz |
| Label | United Artists |
The soundtrack was written by Francis Lai and earned "Best Original Score" nominations at both the BAFTA Awards and Gilt World Awards in 1967. The film's theme song, with music past Francis Lai and lyrics past Pierre Barouh, was also nominated for "Best Original Vocal in a Motion Picture" at the Golden Globe Awards.[xx] In Finland it has go one of the most easily recognizable Television set advert themes, having been used for decades by the cruise ferry brand Silja Line.
Pierre Barouh, who plays the deceased husband in the film, also sings the songs in the soundtrack. In a sequence of the flick, he makes a brief reappearance singing "Samba Saravah", a French version with lyrics past Barouh himself of the Brazilian song "Samba da Benção" written by Baden Powell with original lyrics by Vinicius de Moraes.[30]
A 200 a 50'heure is used every bit the theme for the BBC's Panorama electric current affairs program, The vocal "Aujourd'hui C'est Toi" for Rede Globo's Jornal Hoje midday newscast, and YLE's Ajankohtainen kakkonen weekly current affairs television programme in Finland on TV2 from 1969 to 2015. Harry James recorded a version of the flick's theme song on his album For Listening And Dancing, released in 1981 on Reader's Assimilate RD4A 213.
Track listing [edit]
- Un homme et une femme (A Human being and a Woman) performed by Nicole Croisille and Pierre Barouh (2:twoscore)
- Samba Saravah by Pierre Barouh (4:30)
- Aujourd'hui c'est toi (Today It'south You) past Nicole Croisille (2:06)
- Un homme et une femme (A Human being and a Woman) (2:37)
- Plus fort que nous (Stronger Than The states) (3:15)
- Aujourd'hui c'est toi (Today It'due south Y'all) (2:35)
- A l'ombre de nous (In Our Shadow) by Pierre Barouh (4:55)
- Plus fort que nous (Stronger Than Us) by Nicole Croisille and Pierre Barouh (3:43)
- A 200 a 50'heure (124 Miles An Hour) (two:30)[31] [32]
Encounter also [edit]
- Listing of submissions to the 39th Academy Awards for Best Foreign Language Film
- Listing of French submissions for the University Award for Best Strange Language Movie
Notes [edit]
- ^ Tied with The Birds, the Bees and the Italians.
References [edit]
- ^ a b "A Homo and a Woman, Box Function Information". The Numbers. Retrieved March xxx, 2012.
- ^ "A Man and a Adult female". Internet Picture Database . Retrieved March 30, 2012.
- ^ "Un homme et une femme". JP's Box Office. Retrieved March xxx, 2012.
- ^ "Un homme et une femme". Festival de Cannes. Archived from the original on August 7, 2012. Retrieved March 31, 2012.
- ^ "The 39th University Awards (1967) Nominees and Winners". The Academy of Moving picture Arts and Sciences. Retrieved March 31, 2012.
- ^ "Gold Globe Awards for 1967". Internet Movie Database . Retrieved April i, 2012.
- ^ "Claude Lelouch retrouve Anouk Aimée et Jean-Louis Trintignant cascade l'épilogue d'"Un homme et une femme"". franceinfo (in French). fifteen March 2019. Retrieved four January 2022.
- ^ "Full cast and crew for A Man and a Woman". Internet Moving-picture show Database . Retrieved March 30, 2012.
- ^ a b c d due east f Claude Lelouch (Managing director) (1994). A Man and a Woman: 37 Years Subsequently (DVD). Burbank: Warner Brothers.
- ^ a b Simon, Alex. "Claude Lelouch". The Hollywood Interview. Retrieved March 31, 2012.
- ^ Erickson, Hal. "A Human and a Adult female". Allmovie . Retrieved March 31, 2012.
- ^ Tino Balio, United Artists: The Company That Inverse the Moving-picture show Industry, University of Wisconsin Press, 1987 p. 231
- ^ a b c "English Lingo For New 'Human & Woman'". Multifariousness. May 15, 1968. p. 4.
- ^ Cohn, Lawrence (October 15, 1990). "All-Fourth dimension Film Rental Champs". Variety. p. M140.
- ^ "French Box Office 1966". Box Office Story.
- ^ a b Crowther, Bosley (July 13, 1966). "French and Frankly Romantic". The New York Times . Retrieved April 1, 2012.
- ^ "United nations Homme et une Femme". Variety. December 31, 1965. Retrieved April 1, 2012.
- ^ "A Human being and a Woman". Rotten Tomatoes . Retrieved April 1, 2020.
- ^ "Cannes Classics 2016". Cannes Film Festival. 20 Apr 2016. Archived from the original on ten February 2017. Retrieved 21 April 2016.
- ^ a b "Awards for A Human being and a Woman". Internet Movie Database . Retrieved March 31, 2012.
- ^ "The 39th Academy Awards (1967) Nominees and Winners". oscars.org. Archived from the original on 2014-xi-10. Retrieved 2011-09-04 .
- ^ "BAFTA Awards: Film in 1968". BAFTA. 1968. Retrieved 16 September 2016.
- ^ "19ème Festival International du Film - Cannes". cinema-francais.fr (in French). Retrieved 4 June 2017.
- ^ "19th DGA Awards". Directors Guild of America Awards . Retrieved July 5, 2021.
- ^ "A Man and a Woman – Golden Globes". HFPA . Retrieved July v, 2021.
- ^ "1967 Italian National Syndicate of Film Journalists". Mubi . Retrieved Baronial 15, 2021.
- ^ "1966 Award Winners". National Board of Review . Retrieved July 5, 2021.
- ^ "Past Awards". National Lodge of Film Critics. 19 December 2009. Retrieved July 5, 2021.
- ^ "1966 New York Film Critics Circumvolve Awards". Mubi . Retrieved July 5, 2021.
- ^ Barouh, Pierre (Nov 3, 2005). "A lifelong ambassador of Brazil". RFI Music. Archived from the original on February x, 2012. Retrieved March 31, 2012.
- ^ "A Man And A Woman (Original Move Moving-picture show Soundtrack)". Discogs. Retrieved March xxx, 2012.
- ^ "Soundtracks for A Man and a Woman". Internet Movie Database . Retrieved March 30, 2012.
External links [edit]
- A Man and a Woman at IMDb
- A Man and a Woman at AllMovie
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